Wednesday, February 17, 2016

Better Call Saul, Season 2, Episode 1 Switch



Better Call Saul is back for a second season and continues the story of how Jimmy McGill “broke bad” and became the infamous Saul Goodman.  For the uninitiated, the first ten minutes of the episode summarizes the highlights from the first season. Notably, Jimmy’s struggle with his mentally ill brother is omitted.  Although the pacing is somewhat slow, the series employs stunning cinematography to highlight the story and paint a complex canvas of emotions.  The story is as much in the visuals as in the dialogue, which makes for amazing television.

Somewhere at a mall in Kansas, the man formerly known as Saul is closing up shop at Cinnabon.  Shot in black and white, the mall is abandoned with the song, “Funny How Time Slips Away” playing in the background.  Sporting a mustache and huge glasses, Saul takes two large bags of trash to deposit in a dumpster located down an indoor alley.  After depositing the bag, the door slams shut and he is locked inside.  After several minutes of calling out, he looks longingly at the “Emergency Exit.”  However, if he opened that door it would summon the police and perhaps expose his true identity.  He decides to wait, looking at the bleak walls filled with graffiti.  Shortly before midnight, the night janitor opens the door, freeing him.  In tiny letters the viewer can read, “S.G. was here.”

The next scenes are in color and summarize Jimmy’s struggles last season with a large fraud case Jimmy exposed involving a nursing home company and trying to garner respect from his brother’s law partner Howard Hamlin.  Jimmy pines for Kim, another lawyer at the Hamlin firm.  Kim has affection for Jimmy but her job under Hamlin complicates their relationship.  Another flashback highlights the moment where Jimmy speaks to Mike Ehrmantraunt about the large sum of cash they could have split instead of “doing the right thing.” (Turning the stolen money over to the police.) Jimmy told Mike, “That is never stopping me again.”  The final flashback is when Jimmy returned to his office at the nail salon, and drank the customer’s cucumber water from the dispenser.  He walks into his office, ripping the paper sign off the door.

Mike waits for a client at a large parking garage.  A large yellow Hummer with spinning rims pulls up.  Mike tells his client they should not take the obnoxious SUV to the “meet” and that it’s “the opposite of restraint.”  The man in the SUV doesn’t agree with Mike and thinks he no longer needs Mike’s protection, especially since he’s been paying Mike triple the price.  The man has a Canadian accent and fires Mike while apologizing.  Mike walks away.

The Canadian hops out of his Hummer with shoes that match the yellow and red monster SUV.  The license plate reads, “PLAYUH.” (Conspicuous as Walter White found Jesse Pinkman’s garish red car, which also had THECAPN as a vanity plate.)  Nacho pulls up in an old Chevy van and asks the man why he’s alone.  The Canadian states he and the “old man” parted ways.  Nacho admires the Hummer, and the Canadian brags about its features and encourages Nacho to sit inside.  Nacho pulls out the car’s registration and obtains the man’s address while the man babbles on about the Hummer.

Jimmy floats in a horseshoe shaped pool in a blue chair with nachos and his phone nearby.  He receives a call and informs the caller he’s no longer a lawyer.  Kim approaches the pool and asks, “Is this what a mid-life crisis looks like?”  Jimmy responds he’s not having a crisis but rather clarity.  Kim asks why he walked away from the job offer from the other law firm.  Jimmy invites Kim to get in the water with him but she declines, ordering him out of the pool and into the bar if he wants a chance to explain himself to her.

At the bar, Jimmy states he’s simply “quit law.”  He finds a shot of tequila on the menu for fifty dollars and orders it.  Kim cancels his ridiculous order and orders the house tequila and a glass of house red wine.  She asks him “What happened in Cicero?” (When he went back last season and reanimated his “Slipping Jimmy” routine with an old friend.) Kim persists on asking why he seems to have changed his life long dream of becoming a respected lawyer.  Jimmy explains he feels like his whole life has been trying to please his older brother Chuck.  Kim counters that he’s a great lawyer.  Jimmy admits other people tell him how they see him and it’s not as a lawyer but as a criminal.  As they speak, across the bar a loudmouth trader makes deals speaking thorough a Bluetooth device.  Jimmy reports he’s looking at “other opportunities outside the law.”  Kim notes how hard he worked for his law degree.   Jimmy says there was no reward for all his hard work and asks, “Doing the right thing, where has that gotten me?”  The obnoxious man continues to talk loudly and Jimmy can’t resist.  He asks Kim to “Follow my lead!”

Jimmy approaches the man and introduces himself as a “Viktor” and Kim as his sister Giselle.  He asks, “What’s the limit one is allowed to invest?”  Jimmy paints himself as a rube to the market that’s just inherited a large sum of money from his uncle.  The man jumps at the chance to help them invest their money. (They say it’s over a million dollars.) The man invites them for a drink and Jimmy orders the fifty-dollar tequila shots for the three of them.  At the end of the tequila bottle, they receive the exclusive copper cork.  Jimmy signs a contract with the man and promises to keep in touch.  The man accepts the bill, unaware of high priced tequila.  Outside, Jimmy tosses the “contract” into an outdoor brazier.  Kim and Jimmy are in high spirits and kiss.

After a night of passion, Kim brushes her teeth as Jimmy pesters her to use her toothbrush.  He playfully uses her finger on his teeth in lieu of a brush.  He gives her the tequila cork to keep as a souvenir of their wild night.  (Fun fact, the Zafiro Añejado is the same brand Gus Fring used to poison his partner in Breaking Bad. Zafiro means sapphire in Spanish and is a nod to the blue meth.) Jimmy asks, “Wouldn’t it be great if we could do that every night?”  Kim dresses for work.  She asks Jimmy what his plans are for the day.  Jimmy squirms at the question perhaps regretting his decision to leave the law.

On a suburban street, police arrive at an adobe house with the bright yellow Hummer parked in the driveway.  The nerdish Canadian invites the officers in to take a report of a burglary.  The living room has been tossed and the man complains his expensive baseball card collection has been stolen, as well as cash.  The officers remain calm and skeptical as the man passionately describes his card collection and how the officers need to investigate the robbery.  The man theorizes the robbers were “hopped up on speed!”  The police ask him about the Hummer in the driveway, which the man claims he’s leasing. (Leased vehicles don’t get customized!) The officers ask what kind of work the man does and he states he’s an IT specialist for a pharmaceutical company.  The man dramatically suggests the officers, “Round up the usual suspects!”  When the man steps out, the police notice the “robbers” left the television and computer and the leather loveseat is suspiciously undisturbed.  They look behind it to find a loose baseboard.  Behind it is hiding spot remeniecent of Walter White, a hole in the wall.  The officers move the loveseat back into place.

Jimmy floats on his chair in the horseshoe shaped pool and calls Kim and gets her voicemail.  Jimmy observes an attractive woman saddling up to an old fat hairy man. Jimmy calls Kim again and describes the scene between the strange couple, calling the man a “water buffalo” and describing himself as a lioness ready to pounce, springing a trap on this new prey.  He tells Kim he’d like her to “join the pride.”  He wishes Kim could be his permanent “partner in crime.”  Jimmy is literally and figuratively adrift.

Jimmy makes another call, to the law office that had offered him a job.  He dresses in a suit and tie, and heads to the firm of “Davis and Main.”  Inside, the rustic office is the antithesis of cold modern space where Kim works.  Jimmy is back in his element, meeting dozens of employees at the firm and shaking hands all around.  An assistant tells Jimmy about the office features and perks, including a choice of company car. Jimmy is shown to his new office complete with large wood furniture and a southwestern fireplace.  Jimmy tells the assistant he’s “low-maintenance” but then decides to request the brand of desk Howard Hamlin favored.  Perhaps it’s a symbolic status Jimmy would like to achieve, that he is equal to his brother.


Jimmy looks out the window at his garden view.  He notices a light switch that has a typed sign affixed warning, “Do not turn off for any reason.”  Jimmy pauses, removes the tape, and flicks the switch off.  Nothing seems to have changed and after a moment, Jimmy replaces the tape and note on the switch.  The metaphor is clear; Jimmy can’t resist breaking the rules even for no clear reason.  What will be his next flirtation with the dark side?  Will Kim keep him straight or push him to break the rules to impress her? I'm looking forward to another great season of "Better Call Saul." 

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