Thursday, August 27, 2015

A Smokey Night With Chris Isaak at Portland Zoo


      
            They say a picture is worth a thousand words, but a shaky video from our distant perch surely wouldn’t be worth much.  This was the third installment of our little summer concert going season, which began in June at the Crystal Ballroom with a sweaty night seeing “Post Modern Jukebox.” Then there was last month’s three in one with Train, the Fray and Matt Nathansan. But, for me, this was the highlight of the summer.
Everyone has a band or songs that recall a place and time in our lives and for me, Chris Isaak’s music has served as a soundtrack to many loves and heartbreaks in my life.  Ironically, I never saw the S.F. based band until we moved back to the Northwest. This concert made me homesick for San Francisco.
           
            The unfortunate problem with all three events besides challenging my back and hip was arriving too late to secure decent “general admission” seating. This time, we had a good reason to be tardy, visiting a close friend whose husband had an awful week and remains in intensive care. The venue also restricted the chair height and blanket size in order to pack the fans in like sardines.
           
            We wound up sitting behind an eccentric foursome whom I swear were swingers. Half the time, the large gorilla of a man in front of me blocked any hope I had of a view. To make matters worse, his enormous tukhus threatened to crush my toes. This was the oldest and most affluent crowd of our concert going season and by far the most obnoxious! I also had the sinking feeling some concert goers had never heard of the band and were merely wandering Zoo members.

            The opening band were a locally based duo called “Ashley Leigh” who played a fine fiddle mix of country and bluegrass. I bought a CD, which the ladies graciously signed for me.  I discovered I had grown up one street away from the lovely Ashley in Eugene, Oregon! (Cue “It’s a Small World.”) I hope we can catch another show with them; they were a hoot and reminded me a bit of the Indigo Girls.
           
            Chris was easy to spot when he appeared wearing a bright blue sequined suit he could have borrowed from Elvis. The opening song was one of the few I didn’t recognize in the whole set. After a few songs, Chris engaged the crowd with banter worthy of a stand-up comedian. Even though this was my first time seeing him, I knew he was funny based on seeing and hearing other live shows and interviews. This lady in the cheap seats has been a fan for about twenty- five years.

            He performed his beloved classics including “Wicked Game” and “Baby, Did a Bad Bad Thing,” both made super popular by on movie soundtracks. Unfortunately, one of my favorite songs, “San Francisco Days” was interrupted by jerks behind us yelling at those in front of us to sit down! (Not like I could see much given Mr. Tukhus!) It got worse from there; the two swinger men in front of us deciding to speak VERY loudly about dry wall and other meaningless stuff while I was trying to hear the missing soundtrack of my intense youth! If you weren’t into the music, please leave! Least you think I was being hypersensitive, the folks in other rows were also giving these dudes (including Mr. Tukhus!) the stink eye.

I had to use all my powers of intention to listen to the music and revel in the emotion and romance with my husband on our tiny island of a fleece blanket. (Cursing myself all the while for not buying “reserved” tickets.) Given the feelings of the crowd, we also didn’t feel free to get up and dance to the songs we wanted. Bummer.

            Chris and the band were consummate professionals.  There were no “selfies” taken for fans (see my Train concert review) but there were plenty of guitar tricks and some Elvis type dancing. I enjoyed his banter with the bass player “Scottie.”  Some VIP types got to go up on stage and dance. Chris seemed eager to share the spotlight.  He even confessed he still gets stage fright, which caused many females to let out a collective “Awww.”  Chris promised a new album to be released this October, after much photo-shopping the cover. (Humbleness will make you friends, genuine or not!)

            I believe many older folks were in the audience due to their love of Elvis.  Chris confessed a love of Elvis movies, especially the super bad ones! He sang “Love Me Tender” and it was better then the King’s version, in this fan’s opinion. They also performed a great version of Roy Orbison’s “Pretty Woman” which allowed everyone to briefly get up on their feet.
           
            Alas, it seemed to end all too soon. Chris did reappear in a black disco-ball suit and did a three-song encore to finish the ninety-minute set. As a longtime fan, there were many songs I missed hearing including his fantastic cover of Neil Diamond’s “Solitary Man.” But if the goal in show biz is to “keep them wanting more,” Mr. Isaak and crew certainly delivered.  I hope to see the band again in a more personal venue, preferably without the talking gorillas!


Monday, August 24, 2015

Fear the Walking Dead, Pilot


I’ve had a couple weeks to digest my disappointment in HBO’s dismal sophomore season of True Detective.  As I embark on reviewing this series, I’ve had time to contemplate what makes a good series. I’m happy to report, AMC looks like its got a winner judging by the pilot episode of Fear the Walking Dead.

The series is the prequel to the hugely popular “The Walking Dead.” 
This series focuses on a newly blended family, including a middle-aged couple trying to parent their three teenage children.  This situation is very relatable and makes us instantly feel connected to the characters.  The second factor is making the supernatural seem relatable.  Unlike the hardscrabble folks of The Walking Dead, these characters haven’t faced the undoing of their comfortable world.  The viewer can enjoy the certain superiority over the characters horror and confusion because we know what is about to happen.  But it’s still fascinating to discover how the zombie-apocalypse began with small, seemingly unrelated events.  The tension is palpable from the opening five minutes and doesn’t let up for the next hour and a half.

The series opens with a long hair boy waking up disoriented in a trashed church.  (English actor Frank Dillane is channeling a serious young Johnny Depp circa “Nightmare on Elm Street.”) He fumbles around calling for a girl named Gloria.  He hears banging and the occasional scream as he makes his way down to the first level of the building.  Finally, he sees a man with his throat ripped out.  He calls out more frantically to Gloria, finding her over a corpse feeding!  She stands up and a knife is sticking out of her chest as she moves towards him, groaning.  He runs out of the church and is immediately hit by a passing car.  Given the reaction of the people who respond to the scene, the world is still “normal.”  The bystanders call 911 and surround the teen to help.

Madison (played by Kim Dickens of Sons of Anarchy and Deadwood) is having a hectic morning.  She steals a tender moment with her new live-in boyfriend Travis (Native New Zealander actor, Cliff Curtis) as her teenage daughter Alicia (Aussie actress, Alycia Debnam-Carey) radiates annoyance with both adults and her situation.

Meanwhile, Nick is in the hospital being interviewed by cops.  Since he ran out into traffic, they assume the teen was trying to kill himself.  Madison enters the room and orders the cops out.  Nick has a long history of heroine abuse.  His sister Alicia has tagged along and seems frustrated at how her “bad” brother always is the center of attention.  Nick tells his mom it was an “accident” being hit by the car.  Travis attempts to call his ex-wife to reach out to his son Christopher.

Leaving Nick in care at the hospital, Maddy goes to her job at the high school where she serves as a guidance counselor.  At the metal detector at the door, she pulls out a troubled kid and escorts him to her office for a talk.  He had a knife in his pocket and has some cryptic observations. “No one is going to college. Nothing is going to be the same. There is safety in numbers.”  Tobias speaks of the conspiracy theories surrounding a new deadly virus.  Madison confidently dismisses him stating, “If something was wrong, the authorities would tell us.”

Alicia finds her boyfriend who is busy painting a mural on the school grounds.  At the hospital Nick gasps awake.  Travis is at his bedside; he asks if he was hallucinating.  Nick tells Travis the incredible story of what he saw at the church.  Travis dismisses his account, saying, “You saw what the drug saw.” Nick is alarmed, “If that came out of me, I’m insane.”

Travis decides to go to the derelict church to investigate Nick’s wild claims. Travis calls out, a frighten man yells at him and then flees terrified.  Travis finally finds a large spot of blood and gore.  He leaves in a hurry.  Travis finds mother and child sleeping in the hospital bed.  When Nick wakes, he promises to get clean.  Alicia sounds annoyed at this familiar promise. Madison is also skeptical.

Alicia finds her boyfriend Matt on the school grounds.  She sounds very world-weary for a sixteen year old.  She looks at the time until she graduates as a prison sentence in which she has one more year before she hopes to attend Berkley.  They agree to meet later for some romantic alone time.

Travis is a teacher at the high school; the lesson today is “Call of the Wild” by Jack London. The theme is survival. Madison pays a visit to the principal, who is listening in to Travis’s class. (The actor could be an Obama impersonator.)

Nick tries to charm the nurse to release one of his wrist restraints so he can use the bedpan.  Nick expresses concern regarding his roommate, who has been breathing noisily throughout the episode.  While the nurse is out of the room, Nick unties his other hand and drops the steel bedpan. (Obsolete in hospitals, but more dramatic!)  The noise, which brings the nurse, is the monitor on the roommate, a “Code Blue” is called.  Nick dresses and leaves the hospital during the action. Nick walks out and down the middle of the street.

When Madison learns of Nick’s flight from the hospital she asks Travis to take her to the church, figuring he might return.  Travis observes there are no bodies, but lots of blood.  Madison finds the area Nick was using as a “bedroom”.  She spies a book belonging to her son, only to recoil when it reveals his “works” inside. (Needle kit.)

The couple makes their way to an old friend of Nick.  Sirens and choppers hum in the background, but that’s not uncommon in LA.  The friend, Calvin, is vacuuming a mini-van and denies knowledge of Nick’s whereabouts. A blue placard and a wheelchair are noted near the van. Who does Calvin take care of in the wheelchair?  The couple gets back on the road, Maddy verbalizes frustration regarding her son’s addiction.  Nick has bought a “burner” phone and sends a text and hides under an overpass.  Alicia waits at Venice Beach for Matt.  He doesn’t appear and she leaves frustrated.

Travis and Madison are still on the road in the darkness.  Traffic has come to a halt ahead and police are ordering people to stay in their cars.  Our couple defies the order and step out to see what the problem is.  Gunfire is heard, and Travis decides to make a break through the traffic to flee the scene.

Alicia and her friends are in science class the next day, watching the hottest viral video.  It depicts a man being resuscitated by an EMT, when he suddenly attacks the man, then keeps walking menacingly towards the police who shoot him with no effect.  The teacher takes the kids phones and heads into her lecture. “In science, there are no non-linear things.”  The kids see the video’s end later, the police finally hit the reanimated man in the head and he stops moving.  Alicia complains to a friend her boyfriend Matt has been AWOL.


 In the principal’s office, staff views the same video.  Travis sees it and says, “This is what Nick was describing.” He is becoming more concerned the boy was telling the truth.  Startled by the video and the large number of absences, the principal declares school over for the day.  The kids excitedly hurry out. Travis tells Madison they should leave the school too, in order to not get “blocked in”.  From the school bus, Tobias looks worriedly at Madison.

Nick finds a diner and wanders in like a zombie. (On his way he passes a gas station with a posted price $2.39, come on I can believe folks raising up from the dead to eat us, but that price is completely unbelievable!) He meets his friend Calvin in the back. (Obscure song reference, “Deals dope out of Denny’s, keeps a table in the back. By the band David and David from the song “Boomtown” about LA.) Calvin chastises Nick for having his parents come to seek him out. “Nobody can connect us.” Nick swears he would never betray his dealer. He tells Calvin about what he saw in the church. Calvin scoffs, remarking, “Gloria isn’t 90 pounds soaking wet and can hardly pierce her own veins.” Cal hugs Nick and promises him a free fix.

Calvin and Nick leave the diner in his black Honda. They head toward the viaduct. It’s clear to the viewer Cal is looking to get rid of his friend in a permanent way. The men exit the car, and there is a struggle. Miracoulously, Nick turns Cal’s gun and shoots him in the gut. Nick falls to the ground, frantic that he’s killed his friend. Nick runs away.

Madison and Travis come across Nick as he flees. “I did a bad thing! I shot Calvin!” Maddy blames herself, and they race off to see if they can still help Calvin. They find the Honda, but no sign of Cal. Maddy embraces her son, wondering if he has truly cracked mentally. As the three leave the area, they encounter Calvin walking toward the truck in the dark tunnel. The adults rush out to see he has a gunshot wound to the chest. Cal is not responding to their questions and struggles with Travis, attempting to bite him. Nick warns the adults away and hits Calvin with the truck. They look back to see Cal rising again, with an open fracture to his right arm. Nick drives forward to hit his former friend again. Cal is down a little longer, but then turns his head and starts to rise again. Travis, Nick and Madison stare in horror at what they are witnessing. Travis muses, “What the hell is happening"? Maddy replies, “I have no idea.”

So ends the first episode of Fear the Walking Dead. It had a perfect blend of suspense and surprisingly less gore then Walking Dead. But as the viewers know, things are about to get momentously worse. Questions remain for the next episode. What happened to Matt? What happened to Nick’s roommate who died, is his reanimation about to wreak havoc in the hospital? Will Tobias lead the conspiracy nerds to war against the walkers? And how bad will the highways become in LA trying to flee the zombie hoards? This short six-episode season looks like an awesome thrill ride into the zombie-apocalypse!


Wednesday, August 12, 2015

True Detective; Season 2 Episode 8, Omega Station



One of my favorite things about this season has been the moody and pulsating theme song.  It’s chorus seems an appropriate summary of Season 2, “Never Mind.”  I wish I could get the eight and a half hours of my life I gave to trying to squeeze lemonade out of this abysmal season. So it is without any sadness, I enter this last review.

Ani and Ray are at the dingy motel engaging in some romantic pillow talk about her experience of being raped and kidnapped.  I want to have empathy for her but the narrative is so predictably clichéd.  Ani describes the “black hole” of her memory and how she was secretly proud of being singled out, even if it was for horrendous abusive purposes.  Ray counters with his story about seeking justice for his wife’s attacker, only to learn he had killed the wrong man.  “It didn’t make anything better.”  Ray declares miserably.  As my mother-in-law used to say, “They used to put me to sleep with this story.” Color me jaded.

Enter the high priest of jaded, Frank, as he meets his wife in the train station to discuss their escape plan.  Frank tries to channel Walter White by saying rude things to Jordon so that she leaves without him. Jordon counters with the best line of the season, “You can’t act worth shit!” Amen to that!  The weary couple declares their destructive love for one another.  Jordon throws her wedding ring to the street.  Frank pleads he doesn’t want to see her get hurt because of his actions. It’s a soap worthy dialogue with zero impact.  They part by promising a mythical meeting in Venezuela in two weeks which both seem to understand will never happen.  Jordon leaves.  We learn how “Nails” got his nickname, but who the heck cares?

At the seedy hotel, Ray learns of Paul’s death from the Lieutenant who shot him.  Ray hangs up and informs Ani he knows it was Burris behind Paul’s murder, adding that Paul was “better then us.”  I think all three of these actors are on par for a “Razzie” for their performances.  Ani muses how all the detectives were set up and if there is a chance for “justice” they should try.

Frank goes to Chessani’s mansion to find the mayor drowned in the pool.  He finds the mayor’s drug addled widow and advises her to get lost, as this was no suicide but murder by Toni.  Frank wonders where the mayor’s estranged daughter may be, but she is just another undeveloped character with no real purpose in the series. (A horrible waste of the talented actress from The Bridge.)

Aerial shots of city and land!

Ray and Ani arrive at Erica’s house, Caspere’s former secretary and the orphan from the diamond homicide.  It is revealed her brother was the “set photographer” they met around episode three.  He is responsible for shooting Ray in the creepy bird mask.  Erica reveals after she and her brother were separated, she had a bad foster situation and became a runaway and teenage prostitute.  In an amazing coincidence, she knew Tasha whom introduced her to the parties where she met Caspere.  It was her brother who planned the elaborate torture and killing of Caspere.  Why was he driven around in the car posthumously? It was for fun and to ironically visit the land he, which was going to make him rich.  The plan was to use the hard drive as blackmail to obtain the stolen diamonds. The hard drive is blank.

Frank calls Osip with a canned gangster line, “When the lights go out, that’s me!” (Please, leave this stuff to real actors, like Bryan Cranston.) Ray calls Frank as Ani puts Erica on a bus to Seattle. (No one will ever find you two states away, geez!) Ani tells her to “Move on with her life, blah, blah, blah…”

Frank goes to his favorite dive bar.  He secures Ani and Ray’s transport to Mexico.  Frank, Captain Obvious, tells her, “Everything is ending.” The depressing singer sings in the background about death, she makes Nirvana seem like a party band!

Ray channels his inner redneck in a jean jacket and a cowboy hat.  He sees himself on the news as he enters the train station to meet Burris. Len is waiting in a hoodie, Ray vows he “Wants them too.”  Len agrees to let him try to exchange the hard drive for the diamonds with Burris. Ray tells the corrupt chief that Len is dead and he will exchange the drive and the documents for his name being cleared.  Ray says he knows the “shootout” was a set-up.  Burris offers to let “Ani take the blame for everything.” Then the chief says Caspere was actually Len and Erica’s father. (Meaning the orphan shot his own father, irony!) Len, who was sitting behind the chief, springs to action and stabs Burris.  The crooked Lieutenant and Ani come out of hiding and start shooting.  Burris and Len end up dead.  Ani and Ray do a slow-motion “Baywatch run.” Then we head up in the sky for more aerial shots of everywhere!

The depressing singer serenades Ray and Ani back to the sleazy bar. Frank meets Ani for the first time. He asks her to send a message to Jordon in Venezuela. “Tell her I wanted to be there.”

Ray and Frank have a final heart to heart.  He advises Ray to run.  Ray learns Blake was the one who gave him faulty intel on his wife’s attacker.  Frank assures him he died a slow and painful death.  Frank discloses the details regarding the money transfer with Osip.  The plan is to rob him to finance their respective escapes.  The backstory on the scarred bar owner is Ray caught the man who disfigured her face and Frank gave her the bar.  Sweet, but who cares at this point?

Ray and Ani have a private moment. She asks him, “If I asked you to run right now, would you?” Ray says he might, but he’s obviously not going to exit this episode alive.  The pair tragically hold hands.

Aerial shots of landscape and freeways! Ray and Frank break into Pitlor’s clinic in effort to steal his patients files for evidence. The much-morphed Rick Springfield is in his office with his wrists cut in another apparent “suicide.” (Here lies the remains of another potentially decent performance killed by this horrible script!)

Ray and Frank don gas masks and strap on heavy weapons as they spy on Osip’s cabin. (Maybe they were trying to harken back to Season 1 and the mystery of the man in the gas mask and underwear? If so, it was just sad.) The duo fires some tear gas, shot the security detail outside and enter the cabin.  Osip makes a desperate plea to Frank and is shot in the head. (Another under-scripted character bites the dust!) The men kill the all the bad guys and remove large sums of cash as dramatic rock music plays.

The criminal and ex-cop say goodbye in an industrial area.  Frank implores Ray to “Stay down south.” Ray replies, “That’s the plan.” It is clear he will do something to mess up this plan.  Frank sets fire to his Land Rover and hops into his Audi. (Shameless product placement.) Wait, another dramatic aerial shot!

Ray calls Ani to tell her he’s on his way.  She reminds him the boat leaves at three.  Frank exchanges the cash for diamonds with the Orthodox Jews. Ray looks at the picture of his son, and decides to make a detour to Laurel Canyon.  Frank picks up his passport from the weary Armenians.  I’m a little puzzled to why the show worked so hard to fit in all these intricate details no one cares about since the story was so weak. But, never mind.

Like a moth to the flame, Ray is back to see his old house and spy on his son.  He has a tail in the form of a black Chevy SUV, which you think he would have detected with his true detective skills! Chad, the most unlikely spawn of Ray, is playing a game with the nerd kids at recess. Ray notices he has his grandfather’s badge on display.  Chad sees Ray and gives a salute.  As Ray returns to his car, he notices some liquid underneath the vehicle and sees a tracking transponder has been placed.  Ray lights a cigarette and drives off, followed by the Chevy SUV.

Frank’s car is blocked and men jump out to kidnap him. At the ramshackle bar, Ani finally changes her ugly hair for even uglier hair. Ray calls and tells her about how he took a detour to see his son and now he’s being tracked.  He implores her to get on the boat as planned. Ani hands the phone to the bar owner, Ray tells her the truth, “I’m not going to make it.”

Another aerial shot, drink!  Frank is seen in Death Valley surrounded by cars and armed men. Ray is taping a voice message to his son, trying to explain why he can’t act himself out of a box! Tellingly, he refers to himself in the past tense.

Another aerial shot! Ray is driving in the woods, as he desperately tries to upload his voice message to his son.  Come on Ray, kids don’t know what voice messages even are and you’re roaming! Ray exits his car and leaves the large duffel bag of cash to have a dramatic foot race with the men pursuing him.

Meanwhile, Frank makes a tentative agreement with the Mexicans, one million dollars for his life.  One man asks Frank to throw in the suit off his back and Frank decides to stab him instead.  Frank is shot in the gut and left to die. He had the diamonds in his suit, but not much use when you’re dead.

Ray runs through the redwoods chased by well-armed men.  He shoots a few, as the evil Lieutenant calls to him, “You still have time!” (To make implausible stupid decisions? Sure.)  Frank is pursued by the ghost of his mean old man, as he walks though the valley of death.  Ani has boarded the boat and looks enigmatically at the sea.  Ray looks up at the trees as the bad Lieutenant asks him, “Where is Bezzarides?”
Ray replies, “In a better place.” Ray proceeds to run out from behind the trees and commit “death by cop.” On the ground, Ray’s iPhone has failed to upload his phone message to his son.  Ani senses his death on her boat to Mexico. (Is she seasick or pregnant?)

Frank continues to stumble onward until he sees Jordon in the white dress she planned to wear to meet in Venezuela.  She smiles at him and informs him he died a while back, but with Vince Vaughn, the viewer could hardly tell the difference!

Aerial shot of the trees.  Ray’s father learns of his death from the news while his ex-wife opens the DNA results, which prove Ray was Chad’s father. (I couldn’t have been more surprised if Jerry Springer himself was the father!) Paul is remembered by a “memorial freeway” even though he was accused of bad things. Toni Chessani is sworn in as the new mayor of Vinci because corruption never dies! Ani is heard in a voice-over stating, “We deserve a better world.” I suppose this is a nod back to her conversation with Ray, “We get the world we deserve.”  But all I can really think about is how we deserved a much better season!

 Final moments are in Venezuela.  Ani has had Ray’s baby, who looks just like Ray.  Jordon is an awesome nanny. Ani meets with the LA Times reporter to give him the evidence to hopefully expose a whole season’s worth of convoluted nonsense about diamonds, homicide and hookers.  She and Jordon take to the streets where celebration is in full swing.  The depressed bar singer adds the soundtrack to the final aerial view and it’s over at last!


Monday, August 3, 2015

True Detective Season 2 Episode 7, Black Maps and Motel Rooms


The penultimate episode of the season has arrived, with more dim lighting and long meandering philosophical discussions.  My central disinterest with the main crime and criminals has me dreaming of the final aerial view of Southern California highways.

After last week’s implausible operation, our detectives lick their wounds at a funky motel, which we presume is reasonably isolated.  Paul reviews the contracts he seized from the party.  Ani looks dazed as she speaks with Ray in an adjacent room. Despite being drugged, she could identify Geldof and other important men present at the party.  She speaks almost wistfully about her murder of the security guard. “I’ve been waiting my whole life for that.” By “that” we assume murdering a man as a revenge for the abuse she suffered as a young girl.  Ani makes a pass at Ray, which he decides to reject due to her still altered state.  Ray leaves to find Paul.  Together they identify Chessani and Osip as the names on the land deals.  Paul receives a text with pictures of him and his army pal from their night together.  Paul leaves stating he has to attend to some “personal business.”  Ani has showered and sobered and visits Ray.  She is concerned someone will be looking for her as a suspect to the murder of the security guard.

Frank is alone at a card table in his Vinci casino.  Jordon comes in and he tells her about his new arrangement with the Mexican gangsters.  She muses they could still try to liquidate their remaining assets and “walk away.”  Ray enters and Jordon cautions him to keep his gun holstered, but leaves the two men alone.  Ray makes the understatement of the week, “I had a strange night.”

Paul pays his fiancé a visit and implores her to get out of town for a few days because he is in danger.  He claims it has to do with the investigation.  Ani makes a similar plea to her sister Athena, asking her to leave for a while with their father. Athena is reluctant to leave and asks, “What did you do?”  Athena then admits to attending the “parties” in the past. (Something she denied previously, which begs the question how did Ani pass herself off as Athena if the “party organizers” knew her sister. My guess is no one really cares who or what women attend, as long as they “work.”)

Paul checks Emily and his mother into a hotel and instructs them not to leave the room for a few nights.  Paul says cryptically, “The less you know, the better.”  He states his cover was blown in his secret investigation.

Ray tells Frank about the party and the contract they obtained which reveals Osip as person in contract for the railroad land deals.  Ray explains Frank’s subordinate Blake had been dealing directly with Osip.  Frank says Irena is “gone.”  Ray still wants to know the identity of the person who identified the “wrong rapist.”  Frank promises the name soon.

Vera, the missing woman from the party has woken up in the motel room with Ani. Vera reveals she knew Caspere from Ani’s father’s commune.  Tasha, the woman who gave the lead on Caspere’s apartment, introduced them.  Tasha knew about the rare blue diamonds Caspere had and was trying to blackmail him.  The cabin discovered last week was where Tony Chessani murdered Tasha.  Vera is adamant she was “never missing” and asserts she enjoys making money and going to the parties and isn’t stupid, like Tasha was.  Ani has called Vera’s sister to pick her up and Vera is unhappy her livelihood has been ruined by Ani’s rescue.

Paul works on a computer looking through police archives.  He sees there is a BOLO for Ani, who is wanted for questioning in the “death of a security guard.” There are BOLO’s for him and Ray as well.  Paul notes in the record of the robbery/homicide involving the diamonds, the current police chief, Caspere and the dead dirty cop Dixon were all involved.  A man is watching Paul as he works.

Frank summons Blake for a meeting.  Blake brags about the money he made from last night’s party.  Frank begins to confront Blake regarding the murder of his employee Stan.  Frank hits Blake in slow motion, so it looks more exciting!

Ray drives to an industrial site to meet with Davis.  He quickly realizes she’s dead after being shot in the chest.  Ray flees the scene.

Blake reveals Osip was looking to take Frank’s place.  Frank continues to beat Blake as he confesses to giving Frank the name of Velcoro’s wife’s attacker.  Blake claims he did it for Frank to have a sheriff “in his pocket.”  Blake offers to give Frank intelligence regarding a twelve million dollar cash transfer.  Frank decides to shot him in the gut and watch him bleed out onto his office carpet.

After another aerial view of California, we zoom in to find Ani speaking with her father. Her father acknowledges having seen the Chessanis back in the day, but confesses to not really knowing them.  He continues to express regret on how Ani was raised, especially for an incident in which she was kidnapped and sexually assaulted for four days.  He asks her whether she will turn herself in for the murder; she claims she’ll “fix it.”  After a hug with dad and her sister she addresses her ex-partner, Elvis.  He’s there to help provide Ani and her family cars with different license plates. Ani offers a rare bit of self-awareness, “I’m unfair sometimes.” The group wishes her luck.  Ani’s father and Athena are heading to Eugene, Oregon. (As a former Eugenian-“Old hippies never die, they just move to Eugene.”)  Elvis will accompany them to make sure they make it out of state.

Jordon enters Frank’s office and sees Blake’s fresh corpse on the floor.  Like a true gangster wife, she asks Frank, “What can I do?”  Frank has Nails escort her out since he’s the last subordinate he trusts.

Frank gets to work on his escape plan.  He visits a Jewish gemologist, preparing to exchange the missing blue diamonds for cash.  Frank goes to the last travel agent in L.A. to obtain tickets to Venezuela.  Frank visits the Armenians to secure fake passports and weapons.

Time for another helicopter view of Los Angeles!

Ray meets with his fellow detectives at the tacky hotel to inform them Davis is dead. Without her, they have no official backing for their investigation.  Paul shares the information he found from the police archives.  In his “Scooby-Doo” reveal, its clear the dirty cops were funded by the stolen diamonds and used the money for political and personal gain ever since.  Caspere had kept the diamonds and they could be used to blackmail the whole group, so they killed Caspere.  However, without a trusted authority to prosecute on the information, the findings are useless.

Frank encounters a highly intoxicated Mayor Chessani in the casino’s bar.  Frank sneers that Toni is about to f#ck him over and advises him to sober up.  Chessani leaves and Osip slips in with about half a dozen bodyguards to speak to Frank.  Osip explains the “new order” and offers Frank a position managing the clubs and casino he now owns.  Frank plays dumb while Osip suggests the power Frank had enjoyed was “above his abilities.”  They toast to Osip’s new acquisitions.

Paul walks alone and calls Ray and explains he’s being blackmailed and is afraid he’s “walking into something.”  Paul won’t elaborate further and hangs up with Ray.  Paul meets his intimate friend who explains the Black Mountain Group works for Catalyst Corp.  The man removes Paul’s gun and takes him into an abandoned warehouse.

Meanwhile, back at the grungy motel, Ray concludes the orphaned girl from the diamond robbery went on to become Caspere’s secretary. (From one twenty two year old snap shot, RIGHT!)

In a dark tunnel, Paul, is surrounded by his former mercenary group, as the chief of Vinci police walks out of the shadows.  The chief explains the dirty departed Dixon shot the photos.  Paul’s one time lover offers, “None of this would have happened if you hadn’t lied about who you were.”

Frank informs the casino guard there is a gas leak and the building needs to be evacuated.

The Vinci police chief is after the documents Paul seized from the party.  Paul claims Ray and Ani have already turned the documents over to the federal authorities.  Paul uses disparaging language to describe his partners, probably as a way to protect them from this fine group of individuals.

Frank opens up the gas lines in the casino kitchens.

Paul creates a diversion and rushes the chief and grabs his gun and shoots him.
Ray speaks languidly to Ani in the dim hotel room.  “I thought everything came from something else.”  He’s referring to the pain of his wife’s attack and his subsequent murder of the “attacker.”  They look intensely at each other as Ani offers, “You’re not a bad man.”  Ray responds, “Yes, I am.”  They take each other’s hands, so deep, so boring!

Paul has gone commando and hunts down the remaining men in the darkness.  He kills two of them before hiding near some underground rail tracks.  Finally, he shoots his former lover and uses him as a shield while shooting the last man. Romantic.

Ani and Ray start to become intimate and it’s just sad and a little desperate.

Frank continues make his casino “inferno ready” by pouring booze everywhere.  He watches the building burn from a safe distance as clunky piano music plays.

Paul decides to run like he’s on Baywatch, only to be shot as soon as he is back outside.  The man takes his gun and flees in a car, as Paul and his athletic thighs die on the cold hard pavement. (His best acting yet!)

Emily is awake and alone in her motel room watching the end of Paul’s favorite movie, “The Splendor in the Grass.” (Starring the late Natalie Wood and Warren Beatty in a tale of unrequited love. The last line of the movie is; “Though nothing can bring back that hour of splendor in the grass, glory in the flower, we grieve not; rather find strength in what remains behind.”) She weeps silently.

What will happen next week?  Will Frank flee to a socialist South American country to get a real tan?  Will Ani and Ray start their own commune in rural British Columbia?  Will any of the revealed criminals be exposed or karmically dealt with? It’s been a long season with not much payoff.  I’m just waiting for the last aerial shot out of True Detective Season 2!