Monday, August 3, 2015

True Detective Season 2 Episode 7, Black Maps and Motel Rooms


The penultimate episode of the season has arrived, with more dim lighting and long meandering philosophical discussions.  My central disinterest with the main crime and criminals has me dreaming of the final aerial view of Southern California highways.

After last week’s implausible operation, our detectives lick their wounds at a funky motel, which we presume is reasonably isolated.  Paul reviews the contracts he seized from the party.  Ani looks dazed as she speaks with Ray in an adjacent room. Despite being drugged, she could identify Geldof and other important men present at the party.  She speaks almost wistfully about her murder of the security guard. “I’ve been waiting my whole life for that.” By “that” we assume murdering a man as a revenge for the abuse she suffered as a young girl.  Ani makes a pass at Ray, which he decides to reject due to her still altered state.  Ray leaves to find Paul.  Together they identify Chessani and Osip as the names on the land deals.  Paul receives a text with pictures of him and his army pal from their night together.  Paul leaves stating he has to attend to some “personal business.”  Ani has showered and sobered and visits Ray.  She is concerned someone will be looking for her as a suspect to the murder of the security guard.

Frank is alone at a card table in his Vinci casino.  Jordon comes in and he tells her about his new arrangement with the Mexican gangsters.  She muses they could still try to liquidate their remaining assets and “walk away.”  Ray enters and Jordon cautions him to keep his gun holstered, but leaves the two men alone.  Ray makes the understatement of the week, “I had a strange night.”

Paul pays his fiancĂ© a visit and implores her to get out of town for a few days because he is in danger.  He claims it has to do with the investigation.  Ani makes a similar plea to her sister Athena, asking her to leave for a while with their father. Athena is reluctant to leave and asks, “What did you do?”  Athena then admits to attending the “parties” in the past. (Something she denied previously, which begs the question how did Ani pass herself off as Athena if the “party organizers” knew her sister. My guess is no one really cares who or what women attend, as long as they “work.”)

Paul checks Emily and his mother into a hotel and instructs them not to leave the room for a few nights.  Paul says cryptically, “The less you know, the better.”  He states his cover was blown in his secret investigation.

Ray tells Frank about the party and the contract they obtained which reveals Osip as person in contract for the railroad land deals.  Ray explains Frank’s subordinate Blake had been dealing directly with Osip.  Frank says Irena is “gone.”  Ray still wants to know the identity of the person who identified the “wrong rapist.”  Frank promises the name soon.

Vera, the missing woman from the party has woken up in the motel room with Ani. Vera reveals she knew Caspere from Ani’s father’s commune.  Tasha, the woman who gave the lead on Caspere’s apartment, introduced them.  Tasha knew about the rare blue diamonds Caspere had and was trying to blackmail him.  The cabin discovered last week was where Tony Chessani murdered Tasha.  Vera is adamant she was “never missing” and asserts she enjoys making money and going to the parties and isn’t stupid, like Tasha was.  Ani has called Vera’s sister to pick her up and Vera is unhappy her livelihood has been ruined by Ani’s rescue.

Paul works on a computer looking through police archives.  He sees there is a BOLO for Ani, who is wanted for questioning in the “death of a security guard.” There are BOLO’s for him and Ray as well.  Paul notes in the record of the robbery/homicide involving the diamonds, the current police chief, Caspere and the dead dirty cop Dixon were all involved.  A man is watching Paul as he works.

Frank summons Blake for a meeting.  Blake brags about the money he made from last night’s party.  Frank begins to confront Blake regarding the murder of his employee Stan.  Frank hits Blake in slow motion, so it looks more exciting!

Ray drives to an industrial site to meet with Davis.  He quickly realizes she’s dead after being shot in the chest.  Ray flees the scene.

Blake reveals Osip was looking to take Frank’s place.  Frank continues to beat Blake as he confesses to giving Frank the name of Velcoro’s wife’s attacker.  Blake claims he did it for Frank to have a sheriff “in his pocket.”  Blake offers to give Frank intelligence regarding a twelve million dollar cash transfer.  Frank decides to shot him in the gut and watch him bleed out onto his office carpet.

After another aerial view of California, we zoom in to find Ani speaking with her father. Her father acknowledges having seen the Chessanis back in the day, but confesses to not really knowing them.  He continues to express regret on how Ani was raised, especially for an incident in which she was kidnapped and sexually assaulted for four days.  He asks her whether she will turn herself in for the murder; she claims she’ll “fix it.”  After a hug with dad and her sister she addresses her ex-partner, Elvis.  He’s there to help provide Ani and her family cars with different license plates. Ani offers a rare bit of self-awareness, “I’m unfair sometimes.” The group wishes her luck.  Ani’s father and Athena are heading to Eugene, Oregon. (As a former Eugenian-“Old hippies never die, they just move to Eugene.”)  Elvis will accompany them to make sure they make it out of state.

Jordon enters Frank’s office and sees Blake’s fresh corpse on the floor.  Like a true gangster wife, she asks Frank, “What can I do?”  Frank has Nails escort her out since he’s the last subordinate he trusts.

Frank gets to work on his escape plan.  He visits a Jewish gemologist, preparing to exchange the missing blue diamonds for cash.  Frank goes to the last travel agent in L.A. to obtain tickets to Venezuela.  Frank visits the Armenians to secure fake passports and weapons.

Time for another helicopter view of Los Angeles!

Ray meets with his fellow detectives at the tacky hotel to inform them Davis is dead. Without her, they have no official backing for their investigation.  Paul shares the information he found from the police archives.  In his “Scooby-Doo” reveal, its clear the dirty cops were funded by the stolen diamonds and used the money for political and personal gain ever since.  Caspere had kept the diamonds and they could be used to blackmail the whole group, so they killed Caspere.  However, without a trusted authority to prosecute on the information, the findings are useless.

Frank encounters a highly intoxicated Mayor Chessani in the casino’s bar.  Frank sneers that Toni is about to f#ck him over and advises him to sober up.  Chessani leaves and Osip slips in with about half a dozen bodyguards to speak to Frank.  Osip explains the “new order” and offers Frank a position managing the clubs and casino he now owns.  Frank plays dumb while Osip suggests the power Frank had enjoyed was “above his abilities.”  They toast to Osip’s new acquisitions.

Paul walks alone and calls Ray and explains he’s being blackmailed and is afraid he’s “walking into something.”  Paul won’t elaborate further and hangs up with Ray.  Paul meets his intimate friend who explains the Black Mountain Group works for Catalyst Corp.  The man removes Paul’s gun and takes him into an abandoned warehouse.

Meanwhile, back at the grungy motel, Ray concludes the orphaned girl from the diamond robbery went on to become Caspere’s secretary. (From one twenty two year old snap shot, RIGHT!)

In a dark tunnel, Paul, is surrounded by his former mercenary group, as the chief of Vinci police walks out of the shadows.  The chief explains the dirty departed Dixon shot the photos.  Paul’s one time lover offers, “None of this would have happened if you hadn’t lied about who you were.”

Frank informs the casino guard there is a gas leak and the building needs to be evacuated.

The Vinci police chief is after the documents Paul seized from the party.  Paul claims Ray and Ani have already turned the documents over to the federal authorities.  Paul uses disparaging language to describe his partners, probably as a way to protect them from this fine group of individuals.

Frank opens up the gas lines in the casino kitchens.

Paul creates a diversion and rushes the chief and grabs his gun and shoots him.
Ray speaks languidly to Ani in the dim hotel room.  “I thought everything came from something else.”  He’s referring to the pain of his wife’s attack and his subsequent murder of the “attacker.”  They look intensely at each other as Ani offers, “You’re not a bad man.”  Ray responds, “Yes, I am.”  They take each other’s hands, so deep, so boring!

Paul has gone commando and hunts down the remaining men in the darkness.  He kills two of them before hiding near some underground rail tracks.  Finally, he shoots his former lover and uses him as a shield while shooting the last man. Romantic.

Ani and Ray start to become intimate and it’s just sad and a little desperate.

Frank continues make his casino “inferno ready” by pouring booze everywhere.  He watches the building burn from a safe distance as clunky piano music plays.

Paul decides to run like he’s on Baywatch, only to be shot as soon as he is back outside.  The man takes his gun and flees in a car, as Paul and his athletic thighs die on the cold hard pavement. (His best acting yet!)

Emily is awake and alone in her motel room watching the end of Paul’s favorite movie, “The Splendor in the Grass.” (Starring the late Natalie Wood and Warren Beatty in a tale of unrequited love. The last line of the movie is; “Though nothing can bring back that hour of splendor in the grass, glory in the flower, we grieve not; rather find strength in what remains behind.”) She weeps silently.

What will happen next week?  Will Frank flee to a socialist South American country to get a real tan?  Will Ani and Ray start their own commune in rural British Columbia?  Will any of the revealed criminals be exposed or karmically dealt with? It’s been a long season with not much payoff.  I’m just waiting for the last aerial shot out of True Detective Season 2!



Tuesday, July 28, 2015

Train, The Fray and Matt Nathanson Concert July 24 Ridgefield, Washington


I don’t go to many concerts these days.  It’s tough when one can only sit comfortably for ten minutes, or stand for fifteen minutes. The last concert we attended at Portland’s famed “Crystal Ballroom” was two hours of standing and sweating hell.  It took me days to recover.  I figured I would try to the Train concert because it was at the Northwest Amphitheater where one could bring a low profile chair and chill out on the lawn. This still was a challenge, but the experience was worth it.

All these artists have been around for twenty years or so.  The crowd was all ages with many millenials in attendance.  We got there in time for the first song, “Girl in the Kinks shirt” by Matt Nathansan.  He is an artist who received a big boost from my favorite Bay Area radio station, KFOG.  His songs have been featured on several of KFOG’s charity CD’s. (I might have been his biggest fan on the lawn!) People kept streaming in during his performance.  I was surprised at how funny he was. He gave a shout out to us folks on the lawn and even came into the audience, including the lawn. His music is as good as the “headliner” and I felt bad for him that he doesn’t get the same recognition. He talked about performing on “The Bachelor” as a surreal experience.   Perhaps he picked up some fans from the show.

It seems most of the crowd was there for The Fray, the band made famous by their song on Grey’s Anatomy, “How to Save a Life.”  I never watched the show, but as a former ICU nurse the song has a special meaning for me.  I couldn’t resist a quick Wikipedia search of the band and discovered they are from Colorado and got their start as a Christian band playing in mega-churches.  It made me view some of their lyrics in a different light, but I still enjoy the agnosticism of “You Found Me.” (A song detailing a meeting with God on the streets smoking, reminiscent of Joan Osborne’s “90’s hit “One of Us”) Isaac Slade, the lead singer, also made it up to the cheap seats and was rushed by a crowd of teenage girls.

The headline act was Train.  It’s strange how you remember the first time you heard a band.  I recall listening to “Meet Virginia” working the night shift in cardiac care in Marin General with a nurse named Virginia. (She hated me.) Like many artists, the band focused on their new material before playing their hits.  Early in the show, lead singer Pat Monahan offered to take “selfies” for people who handed them their phones from the front row.  Many people kept their phones on the entire show.  I guess the decision Train made is why fight the cell phone.  As an older audience member, I’d much prefer the memories of BEING THERE to some horrible video of it.  Many people also were simply photographing themselves at the concert.  My question is, “Were we always this narcissistic or has Twitter and Instagram simply tapped into our innate self absorption? Pat also selected some kids from the audience to come on stage and dance with the band. Another crowd pleaser, throwing out free t-shirts, donning one, then have the band autograph it and throw it out for one lucky concertgoer. (Morbid curiosity if the person kept it or auctioned it on EBay.)

The band is pretty much unchanged, except for the drummer who joined last year and is a native of Portland.  One of my favorite songs was “Save Me San Francisco” which has great parts to sing along with.  It also mentions three places I’ve lived and loved: Oregon, San Francisco and Marin. The opening acts returned to sing “Little Help from my Friends.” They mentioned this was their forty-first concert on this tour and it definitely seemed the guys liked playing together. Pat did a little crowd surfing but didn’t make it up to the lawn.

Watching the crowd was sometimes as interesting as watching the stage. During the Fray’s set, a intoxicated woman striped down to her bra. Several people tried to assist her from embarrassing herself further. The girls in front of us filmed it and had it up on YouTube in no time. The woman to our left cringed ever time Matt Nathansan said “God damn.” Leading me to think they may be Christian fans of the Fray. There was also a large amount of kids at the show, doing cartwheels and trying to make their own fun while their parents danced.

The encores were good. The second song was a cover of Aerosmith’s classic “Dream On” and it was probably as good as the original. Predictably, “Drops of Jupiter” was the final song.  I enjoyed Pat’s goofy tae bo moves. (Remember Tae Bo kids?) It was interesting to see some bands of “my generation” try to stay relevant and attract the younger fans. Pat now has a weekly Podcast, wow!


Overall, it was a great night of music under the stars, despite the discomfort and nine dollar beer. I made some nice memories with my husband, which no grainy selfie can compete with! I’m looking forward to seeing Chris Isaak next month at the Zoo.

Monday, July 27, 2015

True Detective, Season 2, Episodes 4-6


I had major food poisoning the night “Other Lives” aired.  After viewing it, I decided I really didn’t want to take the effort to review the episode.  This season has been a big disappointment.  It’s hard to pin down what exactly has made it so tedious, but it’s a combination of the actors, plot and artifice of the story.  It’s been hard to care why Frank is such a bad guy or why Ani can’t maintain a relationship.  The series is trying very hard to be strange and deep and the result has left this viewer too fatigued to want to figure out if the eight episode series is like the California high speed rail, a train to nowhere.

In “Other Lives” we are treated to a full on “Sons of Anarchy” type massacre, which is both ridiculous and cathartic. The aftermath allowed for a fresh start for our motley crew of detectives.  All members, including Frank, have been humbled by their failings.  It was almost enough to reignite my interest, but the main problem remains, it’s hard to be interested in the “focal crime.” Ben Caspere remains an elusive ghost. (Is his last name an intentional reference to “Casper the friendly ghost?)

Episode five highlighted the difficulties of being a family. Frank and Jordon are unable to conceive after her three abortions. Ray is desperate to retain his role as Chad’s father. Paul agrees to marry his pregnant girlfriend, as he confronts his terrible trailer trash mother. And, Ani continues to be haunted by the ghost of her cult upbringing and strained relationship with her sister.

The “Church in Ruins” opens with a standoff between Ray and Frank, after Ray has discovered his wife’s rapist isn’t the man he killed. The men square off in the kitchen, each with their hand under the table on their respective guns. Frank denies intentionally misleading the former detective.  Ray wants to know who gave him the name. A tense truce is reached; Frank desperately wants the hard-drive from Caspere’s apartment in exchange for the man who provided him with the “rapist’s” information.  After Ray leaves, Jordon appears with a small pistol drawn and appears shaken.

Ani and Paul call the local authorities to deal with the possible crime scene they discovered last week in Northern California. They fear it maybe connected to the missing woman Vera, who was last heard from in the area. There is no body however.

Ray visits the man who attacked his wife in prison. The man denies knowing him or the crime. Ray promises a graphic torture scenario, should the man ever be paroled. Mmm, okay.

Paul contacts a retired cop regarding the blue diamonds stolen from Caspere’s apartment. The gems were stolen during the ’92 riots and resulted in a double homicide that left two young children orphaned. The theme of orphans is alluded to as the retired cop confesses how this case really disturbed him. (Frank was an orphan, Paul, Ani and Ray all had crazy parents who failed them.)

Ani meets with her sister to discuss the upcoming escort party, the type of event they theorize Caspere frequented with other politicians. The previous episode revealed the connection between Rick Springfield’s plastic surgery practice, Vinci mayor Chessani and the escort parties. Ani shows off her knife skills on a wooden dummy while Athena warns her to be careful, as the women aren’t allowed cellphones or weapons.

Frank and Jordon meet with Stan’s widow. He offers her some “death benefits” and then gives a sappy speech to Stan’s grieving son. Ray endures a supervised visit with Chad, who’d rather watch “Friends” then build a model plan with him. Ray cuts his visit short to use massive amounts of cocaine and tequila. (Since that always makes one relax and feel positive about the world!) As Ray sobers up a little, he calls his ex to rescind his custody of the boy, if she promises not to tell him of his true paternity.

Frank does his gangster torture routine on a Mexican man, trying to find the woman who pawned the blue diamonds.  It leads him to a house where he has a standoff with the same men who visited his club last week. “Cross that off my bucket list, a Mexican standoff with real Mexicans!” (Too bad Donald Trump wasn’t there to get blasted!) The men negotiate a deal involving running heroine through the club for intelligence on the woman’s whereabouts.

Meanwhile, Ani gets on the escort bus and Ray and Paul follow her in a car. Ani is wearing a tracking transponder. Once she’s at the party, she is forced to ingest some “liquid Molly” and it makes her woozy.  In the crowd, she sees Richard Geldof, who is running for district attorney and leading the Vinci corruption case. Outside, Ray and Paul pick off guards to get closer to the action.

Frank calls Irina and offers her money to meet with him. She explains she already meet with “El Jefe” and is reluctant to meet anyone else. (Mayor Chessani?) She finally agrees when Frank assures her she can bring her people.  Frank arrives at the meeting spot to find her throat slit.  The Mexican mobsters appear out of the shadows.  Their killing “an innocent” and the fact he can no longer question her about the missing tape upsets Frank. (But as James Darmondy explained in Boardwalk Empire, “You can’t be half a gangster.”)

Back at the sex party, Ray and Paul observe the CEO of the Catalyst Corp making a new land deal with Russian mobster Osip. Paul manages to break in and steal the documents.  Ani fends off middle age creeps and miraculously discovers Vera drugged out in a corner. (How would she recognize her while high and having never seen her except in a photograph; I have no idea.) Ani manages to stab the man who wants to have sex with her and a guard, all while hallucinating about being molested as a young cult girl!

Ani and the boys escape, with Vera.  Paul reads the incriminating contracts by the light of the full moon.  The gang has finally found some real evidence to expose the Catalyst Corp’s involvement with organized crime and the rail project.  How that solves the murder, I don’t know.

Two episodes left in this disastrous season. Please no more aerial freeway shots of L.A.! My best guess is that Pitlor (Rick Springfield) did everything, not that I even care who tortured a dirty politician. Vince Vaughn should never act in a drama again, and watch the spray tan as he looks more and more like John Boehner.  I don’t know if True Detective has been renewed, but I don’t think I’d watch it again. But like a freeway accident, it’s hard to look away.  I still want to see where this season lands.


Tuesday, July 7, 2015

God Help the Child by Toni Morrison


In simple, yet intense prose, Toni Morrison has created a painfully moving story weaving together stories of loss, hatred trauma and healing.  Given the current state of race relations in this country, the novel is both timely and timeless.

In the book’s opening, a light skinned African-American woman gives birth to a baby girl whom she rejects as “too black.”  The mother continues to reject the girl, insisting she call her “Sweetness” not mom. The girl grows up embrace her beauty and becomes a successful model and businesswoman.  She wears white to enhance the contrast with her skin and renames herself Bride.  She meets a musician named Booker and they develop an effortless loving relationship.

Until one day, Bride is confronted by a mistake from her childhood, which she seeks to rectify.  Booker leaves her abruptly stating, “You ain’t the woman for me.”  As Bride attempts to locate her boyfriend, she goes on a journey to the deeply wounded parts of herself.  The story is at once bleak and painful, but ultimately hopeful. Each character is lovely and flawed but with transformative power of love can be reborn.

I can’t recommend this novel more highly as a unique and powerful study on trauma and perseverance. A great book for a reading group to explore and discuss.





Inside Out

Little secret, I had a child so we'd have an excuse to see Pixar movies! Just kidding! But, I have been a long time fan of the innovative studio which has been somewhat diminished by their acquisition by Disney. But with this latest release, the creative team at Pixar is back to what they do best, telling original stories.

Inside Out is the story of one's emotional voices and memories.  It begins with the birth of a baby girl named Riley who spends the first eleven years of her life forming lots of joyous memories.  Joy, played by Amy Poehler, runs the show and tries to keep, Anger (Lewis Black), Fear (Bill Hader) and Sadness (The Office's Phyllis White) in check. Inside her head are "islands" of security representing family, goofiness, ice hockey,  and friendship.

But young Riley's world is suddenly uprooted as her parents move from Minnesota to San Francisco. Riley finds it hard to adjust to her new school and life without her favorite sport and best friend. Soon, there is a crisis of emotions and Joy must work with Sadness to help save Riley's "core memories."

The movie has nuances and jokes present for adults.  There is a sense of sadness reminincent of Toy Story 3, as Riley is forced to grow up due to her circumstances.  Richard Kind does a wonderful job voicing Riley's imaginary friend. A very creative and playful look at what makes us tick. I highly recommend this soon to be Pixar classic.